classical dancing

Classical dancing is the traditional dance with significant meaning and unique style in every region, nation, and ethnic. It was gradually evolved by extracting, processing, and creating of successive artists.

古典舞蹈是各民族、各地区中具有独特风格和典范意义的传统舞蹈，经过历代艺术家提炼、加工、创造而逐渐形成。

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In the third chapter, the author uses for reference the concept in the occurrence subject, that are assimilation and modulation, to explain the generation and evolvement of the knowledge structure of the Chinese classical dancing;

在第三章中，笔者借鉴了发生学中的概念&同化与调节来阐述中国古典舞知识结构的生成与演化；

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Chapter ⅱ: the emotional expression in the work of Chinese Classical Dancing, including the characteristics of body language in the work and expression rules of the emotion in the work.

第二章，中国古典舞作品中的情感表达，包含：作品动作语言风格特征；作品情感表达规律。

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The article is divided into three chapters. Chapter I: The emotional expression characteristics of Chinese Classical Dancing, including the emotional expression characteristics of action noumenon and dancing itself.

本文共分三章，第一章，中国古典舞情感表达的特点，包含：动作本体的情感表达特点；舞种本身的情感表达特点。

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Although classical dancing and ballet both require excellent music, the music they need is quite different for the reason that they have various cultural and historical background.

古典舞和芭蕾舞都离不开好音乐，但两者需要的音乐是有本质的区别，这是由两者不同的文化历史背景决定的。

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Much controversy exists in the development of present Chinese Classical Dancing, in which the argument of the noumenon of dancing has never stopped.

当代中国古典舞的发展有众多的争议，其中舞蹈的本体到底为何的争论始终没有停息。

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This chapter researches the detailed emotional expression characteristics of Chinese Classical Dancing with dancing actions.

以舞蹈动作构成为主体，探究中国古典舞细化的情感表达的特点。

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Take the present Chinese Classical Dancing as an example, on the basis of work analysis, this chapter shows the emotional expression characteristics and features of Chinese Classical Dancing.

以当代中国古典舞作品为例，在作品分析的基础上，整体给出中国古典舞的情感表达特征和特性。

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After hackling the teaching materials the paper reflects the unceasing change purchased by the Chinese classical dancing culture.

在梳理教材之后来反思中国古典舞在文化追求上的不断变迁。

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The application of Chinese classical dancing body rhyme in basic skill teaching shows that the essential feature of Chinese classical dancing.

中国古典舞身韵在基本功教学中的应用，体现了中国古典舞的本质特征。

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Since the reform and opening-up in China the piano has become the accompanied instrument in the Chinese classical dancing basic skill training class, gradually replacing beating time by hand and recorder.

改革开放以来，钢琴逐步的代替了手打拍子和录音机设备，成为中国古典舞基训课堂的伴奏乐器。

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The dissertation mainly research on the necessity of dance creation governed by the comprehension of motion structure, concerning about the relation between motion structure and dance creation, on the design and expression of motion structure by taking Chinese traditional classical dancing as examples.

本研究围绕动作结构与舞蹈创作的关系，来探讨了解动作结构对于舞蹈创作的必要性及动作结构内容的设计方案，同时以中国古典舞为案例，探讨动作结构的表现方法。

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